Permanent repræsenteret hos Heede & Moestrup / Always represented at Gallery Heede & Moestrup - www.HeedeMoestrup.dk
Kort biografi / CV:Jacques Villon Biographical Information (1875-1963)
The Early Life of Jacques Villon - born Gaston Duchamp
Jacques Villon was born Gaston Duchamp in 1875 in Normandy, France.
He was one of six children and four of the children would receive acclaim as artists and sculptors in their lifetime.
It was under the direction of his grandfather, Emile Frederic Nicolle that Villon learned engraving and in the summer of 1894 he studied at L’Ecole des Beaux-Arts.
Villon submitted his drawings to local newspapers that featured illustrations.
In 1891 Villon, at the age of 16, executed an etching of his father Eugene Duchamp, "Portrait de Mon Pere."
This was his first engraving and for this his spiritual guide was Rembrandt.
This was exhibited in 1953 at the Museum of Modern Art, New York, Paris in 1959 and various other major museums throughout France and the United States.
In the same year Villon also executed a "Portrait of the Painter-Engraver Emile Nicolle," his grandfather.
This work would be exhibited throughout Europe and the United States from 1953 at The Museum of Modern Art to 1975 at the Grand Palais in Paris.
A Family of Artists
During the success of his career, his two brothers, Marcel Duchamp
and Raymond Duchamp as well as his sister, Suzanne Duchamp would also
reach fame in their respective careers.
Jacques Villon's Later Life
Jacques Villon became quite famous and well received throughout America and Europe and from the 1940’s he was exclusively represented by the Galerie Louis Carre. Jacques Villon received honors at various international exhibitions, including first prize at the Carnegie Institute in Pittsburgh in 1950.
Jacques Villon died on June 9, 1963 at the age of eighty-seven in Puteaux, France.
In 1894, he and his brother Raymond moved to the Montmartre quarter of Paris. There, he studied law at the University of Paris but received his father's permission to study art on the condition that he continue with the law. To distinguish himself from his other siblings, Gaston Duchamp adopted the pseudonym of Jacques Villon as a tribute to the great French medieval poet François Villon. In Montmartre, home to an expanding art community, Villon lost all interest in the pursuit of a legal career, and for the next ten years he worked in graphic media, contributing cartoons and illustrations to Parisian papers as well as drawing color posters.
In 1903 he helped organize the drawing section of the first Salon d'Automne in Paris.
In 1904 - 05 he studied at the Académie Julian. He was at first influenced by Edgar Degas and Henri de Toulouse-Lautrec, but later he became part of the Fauvist movement, Cubism, and abstraction. By 1906, Montmartre was a bustling community and Jacques Villon moved to Puteaux in the quiet outskirts of Paris. There, he began to devote more of his time to working in drypoint -- a technique that created dark, velvety lines that stood out against the white of the paper. However, his isolation from the vibrant art community in Montmartre, together with his modest nature, ensured that he and his artwork remained relatively obscure for a number of years.
At his home, in 1911, he and his brothers Raymond and Marcel organized a regular discussion group with artists and critics such as Francis Picabia, Robert Delaunay, Fernand Leger and others that soon was dubbed the Puteaux Group. Villon was instrumental in having the group exhibit under the name "Section d'Or" after the "golden section" of classical mathematics.
Their first show at La Botie gallery in October of 1912 involved more than two hundred works by thirty-one different artists. In 1913, Villon created his Cubist masterpieces: seven large drypoints in which forms were broken into shaded pyramidal planes.
From there, his reputation expanded so that by the 1930s he was actually better known in the United States than in Europe.
An exhibition of Jacques Villon's work was held in Paris in 1944 at the Galerie Louis Carré, following which he received honors at a number of international exhibitions.
The following year he was commissioned to design stained-glass windows for the cathedral at Metz, France.
In 1956 he was awarded the Grand Prix at the Venice Biennale exhibition. Among Villon's greatest achievements as a printmaker was his creation of a purely graphic language for Cubism -- an accomplishment that no other printmaker, including his fellow Cubists Pablo Picasso or Georges Braque, could claim.
Villon died in his studio at Puteaux. In 1967, in Rouen, his last surviving artist brother Marcel helped organize an exhibition called Les Duchamp: Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp, Suzanne Duchamp. Some of this family exhibition was later shown at the Musée National d'Art Moderne in Paris.
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